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warbloggerofzillyhoo:

thesherlockfandomisbroken:

smith-and-noble:

samandpatricks:

today my best friend asked me “why cinderella’s shoe fell off if it fit her perfectly” 

image

In the original story the prince ordered one of his servants to put liquid tar on the staircase to stop her from running away. The shoe got stuck on the tar.

That is a liiiiittle bit creepy

LET ME TELL YOU ABOUT THE BROTHERS GRIMM FAIRYTALES HONEY

(Source: branstheman)

toudou: catrianasommers: squishyeeyore: dragonageconfessions: Confession: While I want to let Loghain live at the Landsmeet and join the wardens, I don’t want to condemn Alistair (even hardened) to a loveless existence with the constant threat that his evil wife Anora will see him dead once she has a child. I dislike Anora - intensely. Of course, it’s likely they won’t have a child, but then after a year or so she’ll want another mate believing the third time is the the charm - so he’s dead either way. Not the end I want for him. I don’t even know where to start with this one. So… I’ll just say that Anora is not evil, and you clearly don’t understand her at all. Hahaha what? …so many things wrong here but aside from the obvious Anora is not evil, OP does realize that she didn’t even WANT to marry the second time, right…? want another mate…
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toudou:

catrianasommers:

squishyeeyore:

dragonageconfessions:

Confession: While I want to let Loghain live at the Landsmeet and join the wardens, I don’t want to condemn Alistair (even hardened) to a loveless existence with the constant threat that his evil wife Anora will see him dead once she has a child. I dislike Anora - intensely. Of course, it’s likely they won’t have a child, but then after a year or so she’ll want another mate believing the third time is the the charm - so he’s dead either way. Not the end I want for him.

I don’t even know where to start with this one. So… I’ll just say that Anora is not evil, and you clearly don’t understand her at all.

Hahaha what?

…so many things wrong here but aside from the obvious Anora is not evil, OP does realize that she didn’t even WANT to marry the second time, right…?

want another mate…

peashooter85: Renaissance High Fashion —- The Codpiece During the 1500’s men’s fashion certainly took a turn towards the weird.  By the late middle ages and early Renaissance period the typical outfit for an upper class gentleman was a doublet combined with tight hose or leggings worn over a layer of linen.  However by the early 1500’s fashion dictated that male hemlines rise, leaving his genitals only to be covered by a thin layer of linen.  The solution of this embarrassing problem was to cover the groin with a large piece of padded cloth to better hide a man’s gibblets.  However by the mid 1500’s the styles of codpieces shifted to emphasize the size of a man’s exposed manhood rather than conceal.  Codpieces were made in a wide variety of sizes, shapes, and decorations to further accentuate its wearers manhood.  Men of the age were literally in a chauvinistic contest of male genitalia exhibitionism as kings, emperors, and nobles wore larger and gaudier codpieces to show off their large pieces. On occasions suits of jousting armor were made with large, inconspicuous steel pieces.  Fortunately by the late 1500’s codpiece mania began to wane so that by the 1600’s the codpiece was dropped from men’s fashion altogether.
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peashooter85: Renaissance High Fashion —- The Codpiece During the 1500’s men’s fashion certainly took a turn towards the weird.  By the late middle ages and early Renaissance period the typical outfit for an upper class gentleman was a doublet combined with tight hose or leggings worn over a layer of linen.  However by the early 1500’s fashion dictated that male hemlines rise, leaving his genitals only to be covered by a thin layer of linen.  The solution of this embarrassing problem was to cover the groin with a large piece of padded cloth to better hide a man’s gibblets.  However by the mid 1500’s the styles of codpieces shifted to emphasize the size of a man’s exposed manhood rather than conceal.  Codpieces were made in a wide variety of sizes, shapes, and decorations to further accentuate its wearers manhood.  Men of the age were literally in a chauvinistic contest of male genitalia exhibitionism as kings, emperors, and nobles wore larger and gaudier codpieces to show off their large pieces. On occasions suits of jousting armor were made with large, inconspicuous steel pieces.  Fortunately by the late 1500’s codpiece mania began to wane so that by the 1600’s the codpiece was dropped from men’s fashion altogether.
Zoom
peashooter85: Renaissance High Fashion —- The Codpiece During the 1500’s men’s fashion certainly took a turn towards the weird.  By the late middle ages and early Renaissance period the typical outfit for an upper class gentleman was a doublet combined with tight hose or leggings worn over a layer of linen.  However by the early 1500’s fashion dictated that male hemlines rise, leaving his genitals only to be covered by a thin layer of linen.  The solution of this embarrassing problem was to cover the groin with a large piece of padded cloth to better hide a man’s gibblets.  However by the mid 1500’s the styles of codpieces shifted to emphasize the size of a man’s exposed manhood rather than conceal.  Codpieces were made in a wide variety of sizes, shapes, and decorations to further accentuate its wearers manhood.  Men of the age were literally in a chauvinistic contest of male genitalia exhibitionism as kings, emperors, and nobles wore larger and gaudier codpieces to show off their large pieces. On occasions suits of jousting armor were made with large, inconspicuous steel pieces.  Fortunately by the late 1500’s codpiece mania began to wane so that by the 1600’s the codpiece was dropped from men’s fashion altogether.
Zoom

peashooter85:

Renaissance High Fashion —- The Codpiece

During the 1500’s men’s fashion certainly took a turn towards the weird.  By the late middle ages and early Renaissance period the typical outfit for an upper class gentleman was a doublet combined with tight hose or leggings worn over a layer of linen.  However by the early 1500’s fashion dictated that male hemlines rise, leaving his genitals only to be covered by a thin layer of linen.  The solution of this embarrassing problem was to cover the groin with a large piece of padded cloth to better hide a man’s gibblets.  However by the mid 1500’s the styles of codpieces shifted to emphasize the size of a man’s exposed manhood rather than conceal.  Codpieces were made in a wide variety of sizes, shapes, and decorations to further accentuate its wearers manhood.  Men of the age were literally in a chauvinistic contest of male genitalia exhibitionism as kings, emperors, and nobles wore larger and gaudier codpieces to show off their large pieces. On occasions suits of jousting armor were made with large, inconspicuous steel pieces.  Fortunately by the late 1500’s codpiece mania began to wane so that by the 1600’s the codpiece was dropped from men’s fashion altogether.

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